mindset

art critics Roberta Smith (New York Times) and Jerry Saltz (New York Magazine)

Art Critics Really Said This

Last week I sat in the audience and listened to husband-and-wife art critics Roberta Smith (New York Times) and Jerry Saltz (New York Magazine). They were in town at the invitation of Denver’s Clyfford Still Museum. (The photo here was taken from my seat.) What struck me most was not just how much art they

Art Critics Really Said This Read

you are fired

Would You Fire Yourself?

If you were the boss and had you as an employee, would you be happy with your performance, or would you fire yourself? Let’s pretend for a moment that you are conducting a performance review of your work. Evaluate whether or not your expectations as an employer are being met by your performance as an employee.

Would You Fire Yourself? Read

Helen Hiebert paper weaving

How to Be a Joy to Work With

What makes someone want to work with you? Sure, it might be your art, but there are a lot of talented artists out there. If you don’t approach your business with the same professionalism you give your art, you are likely to be passed over for other artists. Based on my conversations with heads of arts agencies, curators, and gallerists . . .

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Photographer Sam Nguyen shoots Alix Christian with her work.

You Can’t Afford Not to Hire Someone

There comes a point in a growing business where you can’t afford not to hire someone.

You don’t have to tell me what a difficult step this is to take.

It’s not easy to write those first checks to someone else for a task you know you could do, but your business can’t grow as long as you continue to do everything by yourself.

Let’s look at six situations where you should get help from others.

1. Data entry

You just shut down an exhibition and are blessed with a guest book full of names and addresses. Blessed and cursed. It’s daunting just looking at it, but thinking about acting on it is more than you can take right now.

Get someone else to do it!

Hire a student to do this kind of work for you. The same student could also address postcards, schlep boxes for shipping, and resize your images.

2. Bookkeeping

This most certainly is not one of your strengths. Crunching the numbers, generating reports, and

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©Leah Palmer Preiss

The Fears That Haunt You

Your fears around building an art business are real to you. Whatever fears you have, you can bet that other artists share them. Still . . . you’re a warrior! You can conquer your fears, but only after you identify them. Here’s a look at 7 common fears that artists have shared with me.

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Alyson Stanfield in Judith Barath's Studio

You and I Have a Lot in Common

At least I think we do. We are probably both solopreneurs – meaning we run our business without additional employees. As solopreneurs, we alone are responsible for our failures and successes. We often have to figure stuff out on our own or are too stubborn to ask for help.

You and I Have a Lot in Common Read

Jenny Wilson's fine art studio in Denver

Art Marketing Tip: Share, Don’t Sell

If you are struggling with the thought of marketing your art – if it seems unnatural to you – I’m going to relieve some of the pressure for you right now.

Stop thinking about selling so much!

You don’t have to be a salesperson or do anything that isn’t natural. All you have to be is confident in your work and enthusiastic about sharing it with others.

You have to believe that what you have is of value to others, even if the value is pure delight.

Selling Suggests Pressure

Think of all the anxiety around sales and selling:

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