Email Marketing

Your email list is your most valuable marketing asset. It’s more reliable than social media, more personal than advertising, and uniquely yours.

These posts and episodes  of The Art Biz cover the practical side of email marketing for artists.

The Artist's Content Compass

content for your emails and more

Still life painting of blue-and-white porcelain with white flowers and a lamp.

Clean your email list to improve deliverability and engagement (236)

Most artists focus on growing their email list—but what if the real power comes from trimming it? In this episode of The Art Biz, I share why cleaning your email list is essential for improving deliverability rates, boosting engagement, and building a more confident marketing practice.

Learn when it’s time to remove inactive subscribers and how doing so creates space for genuine connection and sustainable growth.

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Megan Carty, Cundy's Harbor

Test your email marketing and track your results

In marketing your art, there are no absolutes—regardless of what you might hear from a so-called expert or influencer. Everything is a test. You don’t know what works until you try, look at results, and make adjustments.

How do you know which is right? There’s only one way to know which is the right option for you. Test and track them!

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Peggie Collins painting

Vary your marketing message

There is no reason to be repetitive in emails and social media posts when you promote your art exhibition, event, or class. Hitting a different angle with each message makes it more likely you’ll pique the interest of followers.

I have some ideas for doing just that. Many of these suggestions lend themselves to emails, while others could easily be adapted for social media.

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Jaye Alison Moscariello acrylic painting

Rethinking mailing lists for artists (182)

Your artist mailing list is your most valuable marketing asset. It is the primary tool you use to share your art with the world. It’s your #1 marketing asset.

Let me emphasize that by saying it a different way: There is nothing more important you can do to build your art business and career than to nurture your relationships.

In reality, most artists have 3 mailing lists, not just 1. Here’s what I mean.

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Watercolor painting by Jane Fritz

The purpose of your artist newsletter

An artist newsletter is not for sales. Rather, it helps you maintain a warm connection with subscribers. It’s a commitment you make to yourself and your art.

Without the nurturing, you might find yourself having to reintroduce yourself at some point to a list that has gone cold.

Bonus: Staying in touch makes you the artist who comes to mind when people look for art.

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Wall sculpture by Karyn Gabriel

Options for growing your email list

When used, your email list can help you establish trust, cultivate relationships, and showcase your experience and expertise.

It’s your #1 marketing asset—unique to your art and goals.

While growing an email list has become challenging, that doesn’t mean we should give up. Take advantage of every opportunity (asking, using forms, offering freebies) to attract and add subscribers—remembering, always, that it’s more important to engage the right people than to focus on the numbers.

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How to warm up a cold email list

What good is an email list if you’re not using it? (Answer: No good.)

Neglecting subscribers for months or,yikes!, years, renders your list cold. If you’re ready to commit to staying in touch with the people who asked to hear from you, you might need to reintroduce yourself.

It’s not as difficult as it sounds, but the longer you wait, the bigger the task seems.

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Dona Barnett collagraph

7 Ways to segment your mailing list and make it more useful

Ever worry about bothering people with your emails or postcards? Even though everyone on your list has opted in to hear from you, it still doesn’t feel right to email so many people so frequently. I get it.

There’s a solution to this dilemma. Send emails only to certain segments of your list, which will vary based on the messages you are sending, but these are the 7 types of segmenting that I suggest frequently to my clients.

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How to start your email list

How do you start a mailing list? One step at a time. This doesn’t have to be difficult, but you do need to follow the law if you are sending marketing messages through email.

Your list starts with everyone you know, but I want you to do a few more things before you add names and addresses to an email marketing platform.

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The Artist's Content Compass

content for your emails and more

Email Marketing for Artists: A Compilation

Last week I pulled together an Art Biz Blog compilation on email blasts for a client. No reason to keep it secret!
This post is for you if you use email for marketing your art.

This is really good, basic advice that you should never take for granted: Slow Down and Get Your Email Blast Right.
Always focus your message. You’ll get much better results when you know what you want to accomplish with your email.
Don’t forget to provide a call to action. You usually don’t get what you don’t ask for.

When you have more info on a blog post or page, you can direct people to a landing page (precise URL) other than your home page.
Email blasts differ from newsletters in their purpose. You will also adjust the rhythm of your email blasts according to what you have to share with your list.
Why last-minute email works.
If you want to get people to your site, you have to encourage them to click through.
Avoid these email mistakes.

7 thoughts on “Email Marketing for Artists: A Compilation”

  1. I think that it is important to mention that most e-mail blasts will only get a 25% open rate. If you get 30%, you are doing well. E-mail press releases to media will often get a far less open rate.
    Think of how you handle your own e-mail. How often do you look at you e-mail and start deleting messages without opening them? I’ll bet most of the time. As time goes by, it is becoming clear that, while cheap, e-mail is not as effective as was once thought, unless you have lots of names where a 25% open and a 2% response translates into thousands.

    1. I make a point of putting my last name in the title of all email blasts to my art list, which is sent only to people who want to be signed up. I figure this will get the emails opened more often, since the recipients know me. Seems like it doesn’t hurt to have my name repeated in an art context, too.
      What do you think, folks?

  2. Good advice about luring people to a website.I just published a photobook containing ten of my pieces, and plan to put it up on my site for sale. Now I realize that I can get people to click through from the email blast by describing the amazing quality of the new photographs that went into the book, in addition to the availability of the book. Now I just have to post those new pix!

  3. My last name, Read, could be seen as an instruction or an order. Not sure it would work well in an email title, but I like the idea in principle, just have to find a more creative edge.

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