August 8, 2019 | Alyson Stanfield

Pointers on Wall Labels for Your Art Exhibition

Approach the making of the wall labels you place next to your artwork with thoughtfulness and common sense.

Labels next to artwork
Installation of 4 works by Margaret Kasahara at the Boulder Public Library in 2018.

The Basics for Exhibition Labels Next to Your Art

Many art exhibitions open with a statement by the curator or artist. Those longer labels give context to what the viewer is about to see and are placed at the entry to the show.

Then there are individual labels next to each artwork.

Your art labels should include your name, object title, and media/support/technique—at a minimum.

A retrospective of your work should also include the dates.

In a one-person exhibition, your name need not be as prominent on labels and you might, instead, make the title larger and put it before your name. When showing with other people, distinguishing between artists is more important and names should be first.

If there are multiple rooms in the exhibition and your show's title text doesn't appear anywhere near your works, you might need your name on every label.

How to Make Wall Labels for Your Art Exhibition | Alyson Stanfield, Art Biz Success
This gallery in Denver went to great lengths to match the text to the colors in Barbara Gilhooly's art. This label references 3 works in close proximity.

If your work is hanging at a restaurant where a customer could stare at it for longer periods of time, your name should be on every label.

If the exhibit is small or in a single room and there's a large sign with your name on it, you probably don't need your name on every label.

Feel free to put more than one artwork on a label (as in the image to the right) as long as viewers can discern which information belongs with which piece.

Make the font size at least 14 points. Larger is better when you want the majority of your audience to be able to read the labels.

1 Art Label, 3 Ways

Example of wall label next to art
Example of label next to art
Example of label next to art

Traditionally, titles of artworks are italicized. You could, instead, make them bold, all caps or larger than the other text. Distinguishing the titles is especially important if they give clues about the content of your work, such as the location of a landscape.

“Mixed media” isn't a medium. Using it is like saying something is a “painting” instead of “oil on linen” or “sculpture” instead of “bronze.” Spell out the various media you use within each mixed-media artwork. A curator is going to ask you that later anyway, so you might as well start treating your art like it's in a museum now.

If the work is for sale, show the sale price on the label next to the art.

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Labels can be printed on cardstock and stuck on the wall with rolled masking tape or something like Elmer’s Tack removable adhesive putty. I don't recommend using the latter on textured walls because the adhesive gets caught in between the bumps.

For a more polished presentation print labels on regular paper, adhere the paper to mat board with spray glue, then cut out with a mat cutter.

Labels next to Margaret Kasahara's artwork
Labels next to Margaret Kasahara's art at the Boulder Public Library in 2018. Margaret is now represented by Michael Warren Contemporary in Denver.

Labels within an exhibition should all be the same size unless there is need for longer, explanatory text.

Place object labels to the right if at all possible. Large sculpture may require that you place a label on the nearest wall or floor.

Hang all labels at the same height and use a level to make sure they are parallel to the floor.

Art Label Cheat Sheet

  1. Viewers must be able to see your name when looking at your work.
  2. People shouldn't have to guess what your work is made of.
  3. The price, if for sale, should be clear.
  4. Exhibition labels should be thoughtfully made. Any crooked sides or torn edges will detract from an appreciation of your work.
  5. Above all, the labels should be consistent throughout the exhibition.

Your Art Exhibition Installation

Compose your art show just as you would a composition. Each aspect can contribute to the success of the show or make it seem less than impressive.

It begins with curating the work, but there is so much more that goes into a successful exhibition: preparation, installation, documentation, marketing, self-promotion, follow-up and more.

Click the graphic below to download a free comprehensive checklist for your show.

This post was originally published September 4, 2012. It has been updated with comments left intact.

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35 comments add a comment
  • I’ve found that clear labels work the best. They look professional, adhere well, and can easily be moved and removed. They come in various sizes (I use the shipping label size (2″ x 4″ ).

    • Alyson Stanfield

      Laurie: But don’t use them on textured walls. They look terrible! And they look bad when they start coming off from the wall, so work best with shorter exhibitions. I’ve seen clear labels that look really bad. Gotta keep tending to them.

  • Victoria Pendragon

    Exceptionally useful advice…wish I’d had it last week! LOL

  • Susan Wells

    Just what the doctor ordered. Thanks Alyson!!

    • Alyson Stanfield

      Yes, you have a bunch of exhibits coming up, don’t you Susan? Glad you found this helpful.

  • Any thoughts about including the size of the painting on the label?

    • Alyson Stanfield

      Jennifer: I don’t think that’s necessary since the artwork is right in front of the viewer.

    • Hi Jennifer and Alyson,
      Great advise on the labels. I always include the size of the painting. The reason being that some people think in numbers. They need to know how big a painting is to be able to envision it on the wall of their living room. Some customers don’t need that information at all.

  • Question:
    When should you NOT put a price on the label?

    • Alyson Stanfield

      Col: When it’s not for sale, when it’s shown in a museum, or when the guidelines of the venue dictate.

  • Sandy

    Great tips for labels… I don’t know if your suggestion to put labels to the right covers this, but my preference is to put the labels at eye level beside the painting. I have shown with a number of artists who like the label below the painting and the price in a show guide. The argument is that it looks professional. My thought is “Why make people work so hard to learn about your work?”

    • Alyson Stanfield

      Sandy: There’s all kinds of research on this. What is “eye level” for you might not be eye level for someone else.
      This document gives a wide range of 36-67″.
      In the museum, we were very concerned with accessibility issues, so we placed them lower for people in wheelchairs. It’s an eye opener to go through your exhibit in a wheelchair!

  • Thanks for providing this helpful info. I’ll try the color-full labels at my next art festival.

  • Great info! This is on my “to-do” list. Thanks!

  • John Schroedl

    How about including a small QR code with link back to your site/info?

    • Alyson Stanfield

      John: Sure, that works, too. Be very careful that they don’t go to your home page or a sales page. They MUST go to juicy information that pulls people in.
      I may be pessimistic, but I see QR codes as a waning fad. Whenever I use the QR codes at the museum, I notice I’m the only one doing so. Are you finding more positive results?

  • Lynnda Tenpenny

    I’ve struggled for years for the best way to do price labels for outdoor or indoor festivals. Everything in the booth is my work and my name is in several places, plus on the artwork, so name doesn’t seem necessary. Everything needs to go up fairly quickly and the artwork is slightly different each time. I’ve settled on using tags which I prepare in batches with a little swish of watercolors. I put the title and the price. Since I do Mixed Media, I very much like the idea of adding the “ingredients” of each artwork. Good topic!

  • Thanks for the tips, Alyson. Just wondering. Many of the galleries use numbers next to the work and then have a typed up list for the patrons to hold as they walk through the gallery, with the information regarding the painting next to the corresponding number.
    What are your thoughts regarding this type of identification?

  • Wonderful advice as always! I’m starting to offer prints of certain paintings and am considering putting that information on my labels for my upcoming open studio event. Something like “Original $1500; Prints available”. Would you suggest also putting the price of the print on the label (or not mentioning them there at all)?

  • Awesome advice! I’ve had a couple of shows at odd venues (ie: in the lobby of a local independent old movie theater) that didn’t really have good places for business cards and the like. I decided to put QR codes on my tags that linked directly to the Etsy page of the painting.

  • To attach labels, I use Scotch Foam Mounting Squares, specifically the removable ones. They easy to use, strong, attach to nearly any surface, and come off quickly. http://www.amazon.com/dp/B004QMQ12E/

  • I actually use the Avery clean edge business cards for my labels: one side has all of the information about the artwork, the other is a business card. This gives a consistent size and format for the labels (you can set up templates just like for address labels), is easy to print and a breeze to detach – no cutting involved! Then when the work sells, the collector takes home the detailed information about my piece AND has a business card with all of my contact information. Another option is to use the self-print postcards if you need a larger size to fit more information, like a story about your artwork, or a mini-artist statement. The postcards don’t have as nice of finish/print quality as the business cards though.
    Great tip about the Elmer’s poster tack – I will definitely be using this instead of scotch tape. Thanks!

  • Rebecca Drummond

    Thanks for the tips. Very useful blog!

  • Thanks for this info Alyson. I just saw a fabulous exhibit at The Portland Art Museum (Portland , OR) and the wall titles were semigloss letters adhered directly to the wall. It was beautiful and elegantly understated but very legible.
    Does anyone know what material that is? How it was done? Thanks!

    • Alyson Stanfield

      Hi, David. Yes, those are probably vinyl. Any sign store can print them for you.

  • Astrid Adler

    Hello Alyson,
    Thank you for your advice.
    I volunteer as part of the hanging team for a gallery that has very limited funds. Today they had the data on business cards and affixed a piece of Scoth Brand clear tape folded over on itself in each corner of the card. I am convinced there has to be an equally inexpensive way to affix the cards to a wall.
    I would most grateful for any suggestions you may have.
    Warm regards,
    Astrid Adler

    • Alyson Stanfield

      Astrid: I can’t tell if you mean that they taped the artists’ business cards or they printed on something the size of a business card.
      Either way, masking tape (rolled) on the back would look much better. We used masking tape to hang most of our signs in the museum!

  • Mechel Bell

    For vinyl letters you could use a cricut machine.
    And, I use gorilla brand sticky putty. It can be found at your local craft store in the craft/glue section. I then use a discount coupon that takes the price down to less than scotch tape.

    I am thankful I found this site. It is reassuring to know I’m on the right track.

    I am in a show this weekend where each artist hangs their own art. I am curious how the labels are going to look considering 5 different artists are each bringing their own.

    • Alyson Stanfield

      That certainly is an issue, Mechel. Sounds like yours will stand out above the rest.

  • DTaylor

    I am director of a small community arts center with a beautiful little gallery space. We have a variety of artists showing in our space – some bring very nice looking labels and others arrive with sticky address labels that peel off very easily or just don’t work well in our space for whatever reason. Growing tired of this, I recently purchased plastic acrylic holders in standard business card size. Some are flat and we added velcro dots to hold them on our carpeted walls. Others are “L” shaped for use with 3D pieces on pedestals and in our display case. Artists can easily send me a spreadsheet with details in columns. Then I can do a mail merge to an avery template and print on avery business cards. It is perhaps a small improvement, but so wonderful to present a more polished look in our gallery.

    • Alyson Stanfield

      Sounds perfect, D! You are in a position to instill professional practices in the artists you work with. I encourage you to use each opportunity to educate them.

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