income streams

The Art Biz ep. 86: Collaborating on Your Art Business with Rebecca Crowell and Jerry McLaughlin

Collaborations aren’t for the faint of heart—especially for artists who are used to working alone and making decisions without having to get approval from another human being. But my guests for this episode of the Art Biz Podcast have figured out how to make it work.

Rebecca Crowell and Jerry McLaughlin first collaborated on the publication of their book, Cold Wax Medium. Their collaboration has only deepened since that time, adding the Cold Wax Academy in 2020.

Rebecca, Jerry, and I discuss the format of Cold Wax Academy, how they make decisions together, how they find new members, and what they’d do differently with the benefit of hindsight. You’ll hear what makes their combined efforts work so well

We also talk about one of my favorite topics—systems—and the technology they use to keep their joint venture going.

The Art Biz ep. 86: Collaborating on Your Art Business with Rebecca Crowell and Jerry McLaughlin Read

artist Lea K Tawd what flows between mixed media on wood panel for Art Biz Success podcast

The Art Biz ep. 84: Money Mindset Breakthrough Secrets with Lea K. Tawd

When we think about cleaning out we usually think of physical things or digital files. We want to Kon Mari that sock drawer—keeping  only the socks that spark joy, of course. Or delete the hundreds of photos we’ve taken that we’ll never use. Not only will we never use them, but we want to make sure nobody else ever lays eyes on them.

But there’s another kind of cleaning out that is even more important.

It’s the purging of commitments we made at a previous point in our lives. Maybe we really needed them at the time. Or perhaps we agreed to them out of fear. Whatever it was, we’ve been hanging on to them long past their expiration date.

In this episode of the Art Biz Podcast, I talk with Lea K. Tawd about the obligations she eliminated in 2020 that allowed her to dive deeper into her creativity and step into her business more fully.

We discuss the book she wrote, how she structures her days as a mom with a 6-year-old who has to show up for the virtual classroom, and how she quickly replaced the income from an outside source she had been holding on to out of fear.

The Art Biz ep. 84: Money Mindset Breakthrough Secrets with Lea K. Tawd Read

Collage by Kimberly McClintock

The Problem With Lower Price Points For Your Art

Have you ever created a body of work just so you could sell at lower prices? If so, you might have created a problem for yourself.

Do any of the following ring true for you?

  • You are afraid that people won’t buy your art if you charge what it’s worth.
  • You believe that the people in your geographical region buy only cheaper art.
  • You’ve started making smaller pieces because they’re less expensive.
  • You have signed up for a service like Fine Art America to begin offering multiples of your art, even though the originals aren’t selling.

If you have created lower-priced work for any of these reasons, you might be lowering the bar along with your prices.

Let’s face it: selling lower-priced art is safer. There are many more people in your pool of prospective buyers at the low end.

But I can’t believe that your goal is to appeal to the masses. You, like my clients, surely have big dreams, and that means selling big art at fair prices.

So I have to ask … Are you running to this safer place of inexpensive art because you’ve been inconsistent with your studio practice, marketing, exhibitions, and networking? In other words, are you producing “more affordable” art because you don’t want to do the work required to sell your best work?

Have you given up on selling at that higher price because you believe it’s too difficult? Maybe the cheaper stuff will be easier to sell, you might think.

I have no objections with making art in a variety of sizes or offering reproductions of your art, especially if you’re selling a lot of work and can’t keep up with demand.

What I object to is your playing small and safe.

The Problem With Lower Price Points For Your Art Read

Scarf by Trudy Rice

Giving Art and Artist Merchandise

Are you giving art this holiday season?

You always run a risk giving art as a holiday present if you don’t know the recipient will truly love and want to display it.

However, many artists have merchandise with their art on it, which can be more appropriate for gift-giving because it’s utilitarian.

  • Mugs
  • Calendars
  • Note cards
  • Scarves
  • Ornaments
  • Journals

What art are you giving this year?  What do you have for customers to purchase for gift-giving?

Please leave a comment with the following:

  1. A description of your gift.
  2. A link to where we can see it. Double check to make sure the link works.
  3. Your Instagram handle so I can help you promote it.

Giving Art and Artist Merchandise Read

The Art Biz ep. 44: A Live Painting Business with Jennie Tucker

In 2014 then-promising artist Jennie Tucker received a challenge out of the blue from a friend: Paint my wedding. At my wedding. In front of all the guests.

Most of the artists I know and love would have (1) laughed out loud thinking, Obviously she jests, or (2) run the other way. Fast.

Not Jennie. She accepted the challenge and rose to the occasion.

More interestingly, she found she really liked it.

Jennie, who was single at the time (read: freer), enjoyed traveling and painting at weddings. She liked interacting with guests and painting within the time and location constraints. She didn’t mind people looking over her shoulder to see what was on the canvas.

She became an artist-performer of sorts, and the word spread.

Jennie found a niche for herself: a live painting business. Before long, she was in demand for other live events, like corporate parties and conferences.

The opportunities abounded. Every one of them happened by word of mouth and, eventually, as a result of her social media sharing.

There was no way she could accept all of the invitations that came her way. She had to start saying No.

In this latest episode of the Art Biz Podcast, I asked Jennie Tucker about the business side of live painting. We discuss the importance of contracts (and what to include in them), dealing with people and their many personality quirks, income streams, and her desire to help more artists start doing this work.

Jennie openly shares the challenges and a somewhat embarrassing story from a most memorable wedding.

The Art Biz ep. 44: A Live Painting Business with Jennie Tucker Read

Glass art by Hildegard Pax

Juggling Multiple Income Streams as an Artist

Relying on sales of original works of art doesn’t always pay the bills. Sales can be seasonal, galleries can shut their doors, or the economy might tank. No doubt you are already aware.

This is why I am all for artists having multiple streams of income–when it makes sense.

Multiple Streams of Income for Artists

An income stream is a source of money.

Your income streams might include employment outside of your art business, but I want to focus on diversifying how you make money from your art.

Selling original works of art is probably the most appealing way for you to make money from your art. Other avenues include, but aren’t limited to, teaching, licensing, writing, and selling reproductions.

Sometimes multiple income streams go together under a broad heading.

For example, if teaching is one of your incomes streams, you might break down that money into income from online classes and in-person classes. Additional funds might come from how-to books and informational products.

They’re all related to instructing and marketed to the same audience.

Likewise, you might make products with your art and have separate smaller streams from note cards, note pads, and calendars.

When It’s Silly to Have Multiple Income Streams

Diversifying income sources from your art is tempting. You might think, More stuff=More money! Watch it.

As I described above, some sources make sense together because they are marketed to the same audience. Other times, they’re completely separate businesses.

One example is licensing. There is an entirely separate audience for licensed art than for original fine art. The people and venues you work with are different.

This means you essentially have separate businesses. Two businesses means you exert twice the effort. Three businesses will cost you 3 times the effort.

The result: multiple business plans, marketing plans, venues, and audiences. Each income stream must be attended to.

It’s silly to go to the trouble of creating a new source of income that you don’t have time or energy to invest in.

It’s also a terrible business practice to sell more “stuff” if you don’t know what you’re getting into. Many artists are spending too much time on things that have too little return.

Simple Math

You have to do the math. Is it making money?

Juggling Multiple Income Streams as an Artist Read

The Art Biz ep. 28: Making a Living as an Expat in Paris with Marcus McAllister

Have you ever wanted to start over? To move somewhere else and begin a new life?

In 2001 I sold many of my belongings, left my safe job in the art museum, and rented a U-Haul to start my new life in Colorado.

I had no idea what was ahead for me. I only knew that I wasn’t living the life that I was intended to lead. I was suffocating.

It was pretty brave of me to take this step, but I was just moving across the border.

My guest for this episode had a much grander adventure in mind. Twenty years ago, Marcus McAllister packed up his art supplies, flew to Paris, and never looked back.

In this episode, Marcus talks about his decision to live abroad, his sketchbooks, the sources of his income, and the importance of relationships.

Show Notes

In this interview, you will hear about:

  • How Marcus has been scrappy yet intentional about his business and career.
  • His sketchbooks (and why he doesn’t even walk the dog without taking one with him).
  • How Marcus ended up in Paris and transitioned to a  full-time artist, and how his career has changed.
  • The way Marcus overcame the language barrier and presented himself as an artist to find work.
  • Why it’s important that artists own the title of “artist.”
  • The dedication Marcus has to always having a sketchbook on him, with

The Art Biz ep. 28: Making a Living as an Expat in Paris with Marcus McAllister Read

Helen Hiebert artist book

The Art Biz ep. 18: Transform Your Creative Ideas into Multiple Income Streams: Helen Hiebert

My first contact with artist Helen Hiebert was back in 2010 when she took one of my classes after she heard about my book, I’d Rather Be in the Studio. It’s been fun to watch her grow into a successful artist-entrepreneur.

On the heels of my interview with Dianna Fritzler about transitioning to a full-time artist, I thought it was perfect for you to hear about Helen’s journey.

Ten years ago, Helen didn’t think of her art as a business. Her shift of mindset changed everything and she now makes her living as a working artist. Rather than feeling icky about having a “business,” she embraced it and learned to channel some of her creativity into making money from her talents.

She says:

Probably the biggest lesson for me has been learning how to keep myself entertained (I think any creative loves to do new things all the time) but to create a framework that allows for that. I’m thinking of my blog specifically. I now have a rotation of things I do throughout the month that is fun for me to generate and (hopefully) my readers to discover!

See? You can have fun and run a successful art business at the same time. You only need a structure to contain that fun.

In this interview, Helen and I focus on her multiple income streams, which include (rough estimates):

  • Art installations (10%)
  • Artist books (30-35%)
  • Teaching for hire, in her studio and online (30%)
  • Twelve Months of Paper calendar, how-to books and class kits (20%)
  • Sponsorships (5%)

Much of what she has tried and implemented has been learned from watching what other artists and non-artists are doing, and tweaking it to fit her approach.

We also discuss Helen’s process for creating online content, which has its roots in the analog world she started in. Her success comes from networking, interviewing experts, and collaborating. From that evolved both her blog and podcast.

Helen’s blog is The Sunday Paper – a weekly roundup of news from the world of paper, including news from her own studio. Her monthly podcast, Paper Talk, is the happy result of an unsuccessful grant application to document artists working in the field of hand papermaking.

Please enjoy this conversation with Helen Hiebert.

The Art Biz ep. 18: Transform Your Creative Ideas into Multiple Income Streams: Helen Hiebert Read

The Art Biz ep. 17: Transitioning to a Full-Time Artist: Dianna Fritzler

Over the past ten years I’ve watched Dianna Fritzler go from full-time artist to full-time marketing employee and back again. I had the pleasure of helping her a little along the way.

I wanted to share Dianna’s path so you can hear how she set a target and took deliberate and consistent steps to reach that target in a very short timespan.

During her first year back as a full-time artist, Dianna tested a lot of options for income and gained clarity on what she wants moving forward. And she missed her ambitious income goal by just 10%.

In this interview, you’ll hear Dianna reveal:

  • The moment when she decided that her art could no longer play a secondary role in her life.
  • The steps she took immediately that set her on the path to making her dream come true.
  • The income streams she tested and what has worked (and not worked) for her.
  • The vision she and her husband have for his future full-time role in her business.
  • The amount of time she spends on business v. in the studio.
  • How she structures her day to be most productive.

She also confesses just how worthless she is before her morning java and why she unapologetically embraces freeform Internet exploration in the mornings.

As you will learn, Dianna works her ass off. But her work brings her joy and she’s determined to succeed.

Please enjoy this conversation with Dianna Fritzler about transitioning to a full-time artist.

The Art Biz ep. 17: Transitioning to a Full-Time Artist: Dianna Fritzler Read

Tara Reed Products

Five Realities of Art Licensing

So you have heard about this thing called “art licensing” and it sounds pretty good! You can earn income by licensing the same art to multiple manufacturers to use on different products. “Sounds great!” you think. “Where do I sign up!” you ask. “Hold onto your paintbrushes!” I say. Before you start putting a lot of time and energy thinking about the dream that is art licensing, you need to understand the reality of how to succeed in the industry.

Five Realities of Art Licensing Read

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Your Artist Mailing List: Rethinking + Assessing

Get a transcript of episode 182 of The Art Biz (Rethinking Mailing Lists for Artists) followed by a 3-page worksheet to evaluate the overall health and usage of the 3 types of artist lists.

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